Zara silk top

Bel-air pants

Belt “cuir veritable vachette”

Repetto ballerinas

Just met a very Greek director going to the Boulangerie around the corner

Romain Gavras’s got Persol director’s sunglasses

Lacoste sweater

Uniqlo shirt

A.P.C jeans

Vans shoes

Don’t hate me because I’m beautiful baby

Today I am wearing my Kmart pajama pants, Mehdi’s Vans and a Tripp NYC shirt

Status magazine

out june 10th, 2009

Bumped into so-me in front of this fabulous garage door

Army cap

Dior leather jacket

Lee blue jeans

Surface to Air scarf

?? shoes

cd case eastpack X coolcats

Galerie Lafayettew scarf

Ralph Lauren vest

PAM tee

Adidas pants

Adidas x fafi sneakers

Today, I am back from a five days trip to Biarritz where I worked on my comic. As usual I was staying in my granny-style hotel and enjoying the set back atmos provided by the city. I am almost at the middle of my story and I am facing a dilemma.

As you know I am an absolute beginner in that field, I have never wrote dialogues before, draw frames and bubbles, thought about any scenario for my characters.

When I began, I needed two days to draw a page, now I can start a new one in the morning and finish it before going to bed.

Today am definitely drawing faster, the pages compositions are coming to my mind almost systematicaly, my characters expressions are more elaborate and the positions are more audacious, it’s really a constant evolving exercise.

When I look at my last pages creations, I usually remote to the first ones and I notice the difference.

Now, here’s my dilemma : I could go back to those first pages and draw them again, but I know if I do this, I will never be able to finish it because I will always have older pages to rework on. It’s a neverending story.